Return to the subway platform and head toward the other end. They're standing near oxyacetylene welding tanks that explode when the valves are shot.
The passageway at the end of the room and to the left (steam wafting through the wall grates) leads to a locked gate and two thugs chat on the abandoned train tracks beyond - you'll have to shoot between the bars of the gate. Once they're down, search the lockers and cabinets in the Personnel room for supplies. If you wait, one comes up to investigate and the others disappear through the open door to the right marked PERSONNEL ONLY. If you run down, you'll have to deal with all of them at once. As you approach the bottom of the stairs through the gate marked MAINTENANCE WORK to your left, three goons chat and detect your presence. Examine the security panel to the right of the doors ahead marked Subway Control Room. He's around to the left in the passageway marked Transfer 2 - eliminate him and get his pump shotgun.
Go down the stairs, turn left and as you approach the subway platform, a goon is coughing. At the end of the passageway, dive to the left and kill a third behind the locked turnstile. Dive through the doorway at the top and cap the two thugs to the right. Grab their Desert Eagles and go up the stairs through the now-open gates. Return to the subway platform and ambush the two goons ahead. Search the lockers and cabinets for Beretta ammo and painkillers. Head through the door to the left marked PERSONNEL ONLY. Chapter One: Roscoe Street Station Max stands on a vacant subway platform looking for Alex. Dive into the bedroom through the closed door and kill the remaining assassin. Collect the dual Berettas from the dead thug as you head through the open door into Max's reading room, then pick up the baseball bat in the corner by the window. Shoot the thug in the nursery then another behind him and look at the lifeless child. Go through the living room and head up the stairs, turn left, and run to the door straight ahead. Answer the phone in the hall, then turn around and open the cabinet with the louvered doors and pick up the shotgun. Examine the graffiti on the wall of the entryway.
I released my finger from the trigger - and then it was all over." Max stands in the front entry of his home in Jersey - something is terribly wrong. The final gunshot was an exclamation mark to everything that led to this point.
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